Showing posts with label favourite song. Show all posts
Showing posts with label favourite song. Show all posts

Saturday, May 4, 2013

Meme: My favourite song? ... Why not a tango? - A tribute to Jose Luis Sampedro

As every student of English in the Official School of Languages, I have often been asked to write about my favourite song. I have always avoided doing it since I have been quite reluctant to choose a single song. Actually, every time I decided to opt for one, several of them came to my mind,  consequently making my choice a difficult task. 

However, a few days ago I was listening to the radio. Jose Luis Sampedro´s wife, fellow writer Olga Lucas, was being interviewed, and she was talking about her recently deceased husband so I knew that he loved tangos, especially this one called "Cambalache". Then the radio broadcast this fantastic song from beginning to end. I paid careful attention to it and I realized that its lyrics remain highly topical, in spite of having been written by Enrique Santos in 1934.

It was then that I decided to choose Cambalache as my favourite song,  not only because of its lyrics and the forceful performance by Carlos Gardel but, above all, because I want to show my admiration and respect for Jose Luis Sampedro as well as remember him and his wise thoughts forever and ever through this song:


Cambalache’s lyrics
Original Spanish version
English translation
Que el mundo fue y será una porquería,
ya lo se...
En el quinientos seis
y en el dos mil también!
Que siempre ha habido chorros,
maquiavelos y estafaos,
contentos y amargaos,
valores y dublés...
Pero que el siglo veinte
es un despliegue
de maldad insolente
ya no hay quien lo niegue.
Vivimos revolcaos en un merengue
y en un mismo lodo
todos manoseaos...
Hoy resulta que es lo mismo
ser derecho que traidor..!
Ignorante, sabio, chorro,
generoso o estafador!
Todo es igual! Nada es mejor!
Lo mismo un burro
que un gran profesor!
No hay aplazaos ni escalafón,
los inmorales nos han igualao.
Si uno vive en la impostura
y otro roba en su ambicion,
da lo mismo que sea cura,
colchonero, rey de bastos,
caradura o polizón...
Que falta de respeto,
que atropello a la razón!
Cualquiera es un señor!
Cualquiera es un ladrón!
Mezclao con Stavisky va Don Bosco
y "La Mignon,"
Don Chicho y Napoleon,
Carnera y San Martin...
Igual que en la vidriera irrespetuosa
de los cambalaches
se ha mezclao la vida
y herida por un sable sin remache
ves llorar la Biblia
contra un calefon.
Siglo veinte, cambalache
problemático y febril!
El que no llora, no mama,
y el que no afana es un gil.
Dale nomas! Dale que va!
Que allá en el horno
nos vamos a encontrar!
No pienses mas,
sentate a un lao.
Que a nadie importa
si naciste honrao.
Que es lo mismo el que labura
noche y día, como un buey
que el que vive de los otros,
que el que mata o el que cura
o está fuera de la ley.
That the world was and it will be filth,
I already know...
In the year five hundred and six
and in the year two thousand too!
There always have been thieves,
traitors and victims of fraud,
happy and bitter people,
valuables and imitations
But, that the twentieth century
is a display
of insolent malice,
nobody can deny it anymore.
We live sunk in a fuzz
and in the same mud
all well-worn-out ...
Today it turns out it is the same
to be decent or a traitor!
To be an ignorant, a genius, a pickpocket,
a generous person or a swindler!
All is the same! Nothing is better!
They are the same, an idiot ass
and a great professor!
There are no failing grades or merit valuations,
the immoral have caught up with us.
If one lives in a pose
and another, in his ambition, steals,
it's the same if it's a priest,
a mattress maker, a king of clubs,
a cheeky devil or a stowaway.
What a lack of respect,
what a way to run over reason!
Anybody is a gentleman!
Anybody is a thief!
Mixed with Stavinsky, you have Don Bosco
and La Mignon
don Chicho and Napoleon,
Carnera and San Martin.
Like in the disrespectful window
of the bazaars,
life is mixed up,
and wounded by a sword without rivets
you can see the Bible crying
next to a water heater.
Twentieth century,
a problematic and feverish bazaar!
If you don't cry you don't get fed
and if you don't steal you're a fool.
Go on! Keep it up!
That there, in hell
we're gonna reunite.
Don't think anymore,
move out of the way.
Nobody seems to care
if you were born honest.
It doesn’t matter if you work
day and night like an ox,
or you live off the others,
or if you kill or heal
or live outside the law.


My decision might seem strange even if an absolute agreement with the man who claimed things such as "Freedom of speech is worthless without freedom of thought" or "The right to life is widely discussed but nobody refers to the most important, which is the duty to live life to the full”, is easily understandable.

Jose Luis Sampedro (1917-2013) was an economist who was proud of the period of his life that he spent as a professor at the Complutense University in Madrid. Nevertheless, he did not hesitate to resign from his post to support some colleagues who had been unfairly dismissed. He always championed a more humane and caring economy. He stated that considering money as the most essential element in our lives would lead us to catastrophe and admitted that he was absolutely outraged by how indifferent the current situation is considered in general.  He could not stand the government´s ignorance and haughtiness.
He was also an exceptional writer. Sampedro's humanist concept inspired him to create literary works such as "El rio que nos lleva", "Las sombra de los días", "El Mercado y la Globalización". In 1990, he was appointed as a member of the Royal Spanish Academy. His maiden speech, "Desde la Frontera", focused on the harmful influence of consumerism on society.

I would like to finish this post with one of the last paragraphs of this speech, which I do not dare translate into English, in case it could miss its real essence:

Muy colmado de ciencia está Occidente, pero muy pobre de sabiduría. Es decir, del arte de vivir, más aberrante que la ciencia porque, contando con ella, incluye además el misterio. Ahora no se procura alcanzar la iluminación, sino sentir el latigazo del deslumbramiento. Se busca el estrépito, lo aparatoso, los focos publicitarios; no el silencio, lo auténtico, ni el resplandor tranquilo de la lámpara. Un símbolo de nuestro tiempo es preferir la ducha, rápida, ruidosa y acribillante, en vez de envolverse voluptuosamente en la líquida seda del baño, lento y sosegado. Los países de la periferia conservan, aun en su atraso técnico, más sabiduría y eso es una esperanza para todos, porque cada día es más urgente compensar el desajuste esencial de esta civilización: el de tener muchos medios sin saber ponerlos al servicio de la vida.

Jose Luis Sampedro died on 8th April 2013 after, and I quote him, "having passed from a placid old age to a bloody awkward one".
This is my humble way of paying tribute to the late writer, an outstanding human being.



Saturday, January 26, 2013

My fave song: Light my Fire

If there are two relatively short-lived bands who, in spite of their short careers, had a big influence on American popular music in the glorious 60s, they are - at  least to my mind - the Creedence Clearwater Revival and The Doors. In a span of barely 6/7 years, both acts recorded some fantastic songs and albums that have lingered in the history of rock.

Indeed it's hard for me to choose just the one favourite song (or album for that matter) but recently, after many years, I listened once again to this particular one on BBC Radio in the velvety voice of a fantastic Puerto-Rican  artist who was very popular in Spain when I was a child: the extraordinarily gifted singer and guitar virtuoso - despite his blindness from birth - Jose Feliciano. I don't think many of you will be familiar with his name but I'm sure you will instantly recognize this tune:


Only years later, already a teenager in the early eighties, did I discover that Feliciano's splendid, critically acclaimed (it even won a Grammy in 1969) big-selling rendition of Light my Fire was actually a cover of one of the most popular and successful songs by The Doors, from his amazing namesake debut album released in 1967, a couple of years before Feliciano's cover:


Letra Light My Fire de Divididos

You know that it would be untrue
You know that I would be a liar
If I was to say to you
Girl, we couldn't get much higher
Come on baby, light my fire
Come on baby, light my fire
Try to set the night on fire
The time to hesitate is through
No time to wallow in the mire
Try now we can only lose
And our love become a funeral pyre
Come on baby, light my fire
Come on baby, light my fire
Try to set the night on fire, yeah
The time to hesitate is through
No time to wallow in the mire
Try now we can only lose
And our love become a funeral pyre
Come on baby, light my fire
Come on baby, light my fire
Try to set the night on fire, yeah
You know that it would be untrue
You know that I would be a liar
If I was to say to you
Girl, we couldn't get much higher
Come on baby, light my fire
Come on baby, light my fire
Try to set the night on fire
Try to set the night on fire
Try to set the night on fire
Try to set the night on fire

You know, to me this is one of those rare occasions when a cover version is as good - if not better - than the original. But however much I like Feliciano's Latin-tinged delivery and his brilliant guitar riff, I guess I'll stick to the original stuff anyway. I just love Jim's sexy, suggestive voice (sheer class!) and those beautiful, lengthy organ and electric guitar solos in the 7-minute plus single by Ray Manzarek and Robbie Krieger, respectively. I never ever get tired of listening to "Light my Fire", and I sing along whenever and wherever I hear it: at home, on my car's radio, in a pub ... There are a lot of stories behing this legendary song, like who wrote most of its words despite the fact that Jim Morrison, always a poet before a singer, was kind of the band's "official" lyricist. Or how the group had to cut down its play time to a mere 3 minutes so that it could be aired more often in US radio stations, as well as the controversy around their performance in the hugely popular Ed Sullivan Show, when Jim was asked not to sing the seemingly "infamous" line "Girl, we couldn't get much higher" because it sort of implied the use of drugs - of course he couldn't care less and did utter the explicit words in the end. But hey, better than told by myself, you can hear all these things in this enlightening 6-minute clip:


Very sadly, Jim Morrison had an untimely death (like many other rock legends before and after him) at only 27 years of age in Paris in 1971, but the songs he left, like this one here, are the best tribute to his memory. I do hope that you will enjoy Light my Fire, whether you didn't know The Doors or you've listened to them many times before. And also it will encourage you guys to share your own favorite songs!